Americans, Does It Bother You That the Goverment Never Showed You CLEAR Pictures of the Pentagon's 9

Americans, does it bother you that the goverment never showed you CLEAR pictures of the pentagon's 9/11 attack?

they are stupid sheep , hundreds of video cameras captured the incident

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Which video camera should I get?

I have the Kodak PlaySport and it shoots in amazing HD. It is also waterproof for 10 feet underwater. I am very impressed with it. It is an amazing camera that you should buy.

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My neighbour has 2 video cameras on my home, directed at my kitchen windows.I have young daughters.?

Well, you do not really want to mess with the cameras because in the end you would be the one to get in trouble, however, I do not understand how it is legal. is not that some type of privacy problem. Are you on speaking terms with your neighbor? I would try talking to them and let them know that you do not like it.

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what is the best skill of the new paparazzi boyfriend of Britney Spears? hiding video cameras, right???

u never know. imagine how much money he would get. he's also reportedly married and britney has bought him a car

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For video cameras, what is the average good pixals?

I have a sony ericson, and it only has 2.0 megapixels. Its has a very good quality camera, and when i take movies and post it on youtube, its very clear to see, its not taken from a phone. I recommend you getting a 2.0 megapixel phone or higher. If the phone has under 2.0, then you can see big squares, and when you post it on a website it will be 'pixelated', so try and buy a phone with 2.0 or higher

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Use in digital video cameras

Transport Stream was originally designed for broadcast. Later it was adapted for use with digital video cameras, recorders and players by adding a 4-byte timecode (TC) field to the standard 188-byte packets, resulting in a 192-byte packet. This is what is informally called M2TS stream. The Blu-ray Disc Association calls it "BDAV MPEG-2 transport stream". JVC called it TOD[c] when used in HDD-based camcorders like GZ-HD7. The timecode allows quick access to any part of the stream either from a media player, or from a non-linear video editing system. It is also used to synchronize video streams from several cameras in a multiple-camera setup

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how can I find out if there hidden video cameras at my work?

why do you need to know? thinking about embezzling i would not recommend it

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What kind of video cameras do they use In. Hollywood?

Hi Brady: I can tell from some of your other Y!A discussions that you are a big film fan. "Movies" (to avoid the nitpicking "film vs. video" distinction) are still pretty much produced on real 35mm film stock (with Panavision and Arri cameras being the most popular -- since that's what the rental houses carry). Wes Anderson started off in my area (Texas), where he met Owen, Andrew, & Luke Wilson, and shot the short version of "Bottle Rocket" in black-and-white 16mm film. He thought about shooting the feature-length version in Panavision (and made a camera-test of some footage) but opted for regular 35mm film cameras & lenses. He's not known for shooting digital, yet. P.T. Anderson started out as a kid shooting Betamax home-video & 8mm movie film (saying he found video "easier"). He moved-up to using a Bolex 16mm camera in his late-teens, but shot "The Dirk Diggler Story" (a half-hour story that was the inspiration for "Boogie Nights") on videotape. But none of his major projects are listed as digital cinematography productions. "Digital cinema" is still somewhere between its "infancy" and "adolescence", as the video technology improves both at the production/post-production ("filming" and editing the shots) and distribution/exhibition (duplicating & projecting the movie) ends of the business. It's just been 12 years since George Lucas announced he would shoot "Star Wars: Episode II" (and the succeeding Episode III of the "prequel" trilogy) in 100% digital. Film is in its 2nd century of existence. The resolution quality of the cameras, and the development of professional "cine" models like Sony's CineAlta (used for "Star Wars" II & III, with Panavision modifications), the RED One camera, Arri's D-series & Alexa, and Silicon Imaging's SI-2K -among others- has pushed the acceptance of all-digital as a feature-film shooting medium. And since "3D" cinema is way-easier to distribute & project with video projectors than film models, the current popularity of 3D movies is motivating the theater chains to install state-of-the-art high-brightness video projection systems in almost all their screens. With video being the final source for showing to audiences (both in cinemas and at home), it's easier to convince a studio to "shoot digital". Before the big shift to video at the projection end, someone wishing to use video cameras always had to plan for "scanning to film", a technology that did not always produce the best quality (especially in the early days of decent, affordable video cameras). The other factor that comes into play are the "film craft" unions (IATSE is the largest), who kinda dislike the word "video" since it becomes the jurisdiction of the traditionally Television/Broadcast unions (NABET/CWA). The IATSE members have gone as far as creating job titles like "DIT" (Digital Imaging Technician) instead of Video Engineer, to avoid using the "V"-word. Planning & lighting for video cameras is still somewhat different from traditional film shooting, so directors like Wes Anderson and Paul Thomas Anderson who "grew up" shooting with film stock tend to stay in their comfort zone. hope this helps, --Dennis C.